I code in front of live audiences to create music (and sometimes visuals) under the artist name ColonelPanix. The following are some of my performances:
May 30, 2024, Shanghai Concert Hall
Evening Concert at the International Conference on LiveCoding
Echoes of the Esai is a six-part live-coded musical composition, accompanied by an audio- reactive visual experience of generative art. This 25-minute live-coded musical score is paired with a narrative and visual experience, both of which were curated using AI content tools.
View at YouTubeJune 11, 2023
Closing party for Yan Shao's Transient Surface Exhibition at :iidr Gallery, NYC
Livecode Audio performance using Python and Foxdot Livecoding environment. Sound design using Serum synthesizer and Ableton.
Transient Terminus SoundtrackDecember 10, 2022
Spatial Sound is the ability for our mind and body to comprehend the location of the sounds that we hear. The Spatial Sound Pads are a Midi Controller designed to provide an expressive outlet for a musician to perform music that takes advantage of spatial positioning and movement.
View at YoutubeNovember 7, 2022
Visualization collaboration with Clive Davis Institute student Noah Klyce
Watch at VimeoDecember 31, 2019
This was a performance at Wonderville, a Brooklyn bar featuring independently made arcade games and music. (Audience is also playing video games.) ColonelPanix (with the hat) performed music using FoxDot + Ableton and Ulysses Popple performed the visuals.
View at YouTubeAugust 21, 2021
This was a performance at Wonderville. ColonelPanix (with the hat) performed music using FoxDot + Ableton and eavl performed the visuals.
View at YouTubeJune 20, 2020
Quarantine performance at the Wonderville bar in Minecraft. Music by ColonelPanix, Visuals by Bliss Factory.
Music Only at YouTube Music/Visuals Collaboration